Monday, September 14, 2009
Corn!
Saturday, September 12, 2009
Salve Festa Dies
First of all the location--not a church but the VFW hall. Rita and Carol are lifelong Catholics, but pairs of ladies don't get married, or even blessed, in Catholic churches. And the priests included a man and a woman who were themselves married to each other. Something odd in this picture. And a nun, who actually presided as if she were a priest. When we all joined in the blessing, we did so in the name of God, but also of the Goddess Sophia. So while in many respects it felt like a traditional Catholic service, these clergy are American Catholics, and they are moving the Church, as the Spirit moves them, in new and interesting directions.
And then there were the invitees and onlookers, family, friends, neighbors, including two of our children, who are Rita and Carol's godchildren, and like some others in the room, part of the sizeable cohort of children they cared for in their family day care. In short, it was the sort of gathering you would expect in a traditional neighborhood, where people live their entire lives in the house they were born in, as Rita has done. It is true that on the dance floor there were more couples of women than of men and women. Chatting, I heard about Rita's nephew's recent wedding from his new husband, and there was at least one couple of young wives. We in Massachusetts are perhaps a little ahead of the curve in the forms of sociability we encourage.
For all the innovations, though, the whole event, I want to say, was deeply conservative, from the boards of photographs preserving memories back through the last century, to the half-century-old recordings of crooners played by the DJ. And above all in the accounts of how Rita and Carol's lives are woven into the fabric of our durable little community. Family, church, community--these are the conservative values that were broadly in evidence, slightly reconfigured to suit the occasion, but not so much you wouldn't recognize them. It was a beautiful occasion--and I know that's something people say, but in this case it was true--and we came away enriched. L'Chaim.
Wednesday, June 3, 2009
Crime story
About those strawberries. All week they've been ripening just fine, but then the ripe ones would just... disappear.
Today I think I found out why. I was reading in my yard, a bit out of sight, when I looked up and saw my neighbor on her hands and knees in my strawberry patch. I ran over and yelled at her, and she jumped up, smiling nervously. In her hand were two prime red strawberries.
She is an older teenager, I would say, and lives with her extended family about five houses down the street. I don't know her at all though I've seen her from time to time. Her mother seems to speak only Chinese. Her grandmother grows bok choy and green beans--and a few strawberries--in their yard, and gathers huge loads of deposit bottles. The grandmother and I nod and smile when our paths cross, but otherwise my interactions with these neighbors are few.
More disturbingly, her mother was waiting for her on the public sidewalk, not ten feet away, pushing a stroller that held the young woman's toddler son. This little heist was a family affair. Maybe that's part of why I blew up, yelling at the young woman, telling her over and over that she was "stealing," that she was a "thief." She gave me back my strawberries and slunk off, chastened I hoped.
But now that some hours have intervened, I have to wonder about my reaction. Am I really that invested in ownership of a handful of strawberries? What happened to my belief in a communal ethic of sharing? This family of neighbors is to all appearances rather poor: why not give them some strawberries? And they are neighbors: all the more reason to be generous. Did the differences of race and language play a part here? Was this a case of "those people" taking from "us"? Maybe they bring different assumptions about property and ownership that would be interesting to learn about. Maybe I should have offered them some strawberries before they took them. Has my pride in growing things overwhelmed some more fundamental values?
These are questions that cut in multiple directions, and I haven't reached any certain conclusions. If I see this girl or some other human predator in my strawberry patch again, I may temper my reaction, but to what degree I'm not sure. Turns out these reflexes of ownership, of "it's mine," are deeply embedded. One more reason to appreciate my urban garden, though: as a microcosm of the urban, where these issues of anonymity, human density, strained relationship and cultural difference do arise.
Monday, June 1, 2009
Strawberries turning red!
Allston Skyline (2): compatible neighbors
Viewed from Allston, Peabody Terrace sets a high standard for what a riverside building should be or do. The scale is monumental, with hulking vertical and horizontal structures laid out in stone-gray concrete . And yet the details of balconies and windows are perfectly vernacular and village-like, decorative and domesticated at the same time. Peabody is the chef-d'oeuvre--locally at least--of José Luis Sert, the great Catalan architect (and dean of Harvard's design school). With its Mondrian-like boxes of shape and color, the effect is to humanize the modern and make it liveable (as Peabody Terrace has been, by most accounts, for more than four decades). The prominence of the design, projected over the flat expanses of riverway, is spectacular.
Its neighbor directly across the river, the Harvard graduate dorm known as One Western Avenue, makes a worthy homage and pendant to Sert's achievement. Designed by the same Machado and Silvetti (Sert's successors at Harvard's GSD) who built our prize-winning Allston library, the much-belabored One Western matches Peabody Terrace not just in size but in its use of large vertical and horizontal blocks. While One Western's actual texture of patterned brick and randomized window placement fails to please my eye to the same degree as Sert's colored panels and balconies, the drama of the elevated horizontal wing, like a tower laid on its side to frame an open courtyard, more than compensates in visual interest. Most importantly, the similarities in shape communicate across the river like neighbors talking over a fence (as Robert Campbell might say), bringing coherence to this stretch of the riverway we in Allston share with Cambridge.
Oddly enough both buildings have excited voluble opposition: out of sympathy, in the case of Peabody Terrace, for the Riverside neighborhood it displaced, or aversion to such incongruous effects as One Western's anti-gravitational illusion (and to be frank, cheap materials). Personally, I feel enriched every day my biking, running, or walking path takes me past these buildings and their blue-collar neighbors, the Genzyme factory and the Western Avenue power plant. They do what big buildings on conspicuous sites are meant to do: make me feel like my neighborhood is something special.
Sunday, May 31, 2009
let us now praise ...
Meet Trotsky. Born in the vicinity of Acton, Massachusetts, Trotsky has lived his entire life--11 years and counting--here in Allston. Very much attached to his family--he prefers the term 'pack'--Trotsky performs a number of domestic chores: discouraging intruders and greeting other dogs with his sonorous bark, tracking the whereabouts of other pack members, and patrolling his yard. Once he even caught a rat and dispatched it expertly, despite his total lack of prior experience. Trotsky is an admirer of the U.S. Postal Service, and greets its employees enthusiastically, shaking them down for dog biscuits and PDA's. He has a fanatical aversion to squirrels, and relentlessly chases them back into their trees during his daily visit to Hooker Park. He similarly disapproves of loud or unruly pedestrians and loudly admonishes them from his listening post at the window. Along with many others like himself Trotsky helps make the Allston community what it is, and I thought he deserved this brief recognition. Good dog!
Friday, May 29, 2009
Riverside places (1)
Just west of Watertown square the Charles river plunges some five feet to its death. The violence of this act is diffused in the long, smooth contour of the spillway, the roar and splash of the rebounding water, the assiduity of the gulls (and occasional humans) who fish here, and above all in the serenity and peace of this spot. It is nonetheless true that the river as such meets its end here. What continues on to join the Atlantic ocean at Boston harbor is not a river at all but the Charles River basin, an artificial body of water whose level and flow are regulated by the dam at its eastern end, the counterpart to this falls. In between falls and dam the water flows, but at an engineered rate, at the whim, one might say, of the hydrologists. Though it still looks and feels like a river, that fact of regulation changes just a little the way I feel about the lower Charles--and makes me appreciate all the more the vitality, the wildness even, of this place.
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